We all know the great stories of superheroes taking on their arch-nemeses. How brilliant masterminds take on paragons of might and virtue in epic battles, but somehow can never quite muster up the necessary…je ne sais quoi…for victory. And today we get a look at the downright cliched battle of good and evil…on a whole new level…with Megamind, which has just hit theaters.
Megamind follows two alien babies, one a misshapen blue-skinned spindly little thing with a huge head, and the other a surprisingly well-built muscle baby. Both of them are sent away in an hour of their respective planet’s deepest crisis (almost exactly like Superman himself was) and both find themselves on the same little blue planet far away from their now-destroyed homes, Earth. But while the muscle baby finds himself in the company of nobility, who provide their tot with every advantage, the spindly lump finds himself in a prison. Their formative years shaped by their respective environs, the two eventually grow to be bitter rivals. Until one day, when the supervillain finds himself on the winning end for a change. And that’s when everything is turned on its ear, and nothing is how it should be.
For a Dreamworks cartoon that’s really not much more than a gigantic restaged knockoff of The Incredibles (look at Syndrome and Tighten and tell me there’s not at least a casual resemblance), and a little too close a riff on their earlier go-round with Despicable Me, there’s actually quite a bit new here.
You’ll hear this several times–the voice cast is excellent. Will Ferrell is, for a change, in top form; I guess it’s just better when we don’t have to look at him, and are spared the inevitability of a shot of him in his tightie whities. That and the whole “mispronunciations” gag is pretty tiresome, but when it unexpectedly becomes a plot point, well, that’s a note of originality in its favor. Tina Fey is good in just about anything and Brad Pitt was actually a huge surprise here. Extra kudos to David Cross: there are few men who can play a mutated fish-monster with such aplomb, one of whom can only be the same man who gave us Dr. Tobias Funke.
And yes, there’s a lot here; have you ever considered how little evil is related to an actual desire to make people suffer, and how much of it is related to almost petty things? Megamind will make you consider just that. Is a villain always a villain? Can a hero be a villain? The other way around, maybe? All this philosophy and more awaits you here.
Megamind doesn’t even skimp on the laughs. I had several good chuckles; the surprisingly large number of kids in the place at the time roared gleefully on a regular basis.
Are you going to want to necessarily buy a ticket for this? Don’t worry if you can’t make it–it’ll keep for DVD without incident. It’s good on the big screen, of course, but if you can wait, do. There is no serious reason to pick this up right away; it’s funny but not uproarious, entertaining but not too surprising, carrying more than its share of cliches but not without some originality.
The Screenhead Ten Scale gives a passing nod of respect to a superhero movie that will actually make you think, just a little bit, and gives it its appropriately better than mediocre due, a six out of ten.