The folks out at Sony sent out a copy of The Virginity Hit, and when I first heard about it, I got the feeling it was going to be an interesting if somewhat childish comedy, at least until I saw six horrific words stamped across the top of the box. Those six terrifying words that sank my stomach into my shoes after the plot rundown.
The Virginity Hit follows Matt, a young man who’s out to do what a lot of young men his age are out to do–lose his virginity. But in the age of YouTube, we can’t just have a guy go out and try to get laid, no sir, someone needs to be recording this. Matt’s stepbrother steps up to do the job, and thus, we get to watch every humiliating moment as Matt tries desperately to find someone, anyone, willing to punch his V-card for him. But along the way, Matt’s going to have a lot of troubles–his girlfriend’s a cheat, kind of, he’s meeting porn stars and finds that internet stardom is no easy road.
All of which sounds reasonable enough, like a slightly too ambitious for its own good version of American Pie, right? Well, there are six words standing between me and optimism on this one, and those words are:
“From the guys behind Step Brothers“.
After reading that I spent the next three minutes screaming into the night like a man who has discovered that his beloved dog is dying from intestinal cancer caused by the intense amount of radiation directly underneath his property because the realtor forgot to tell him when he bought the place that the previous owners used it as a toxic waste dump.
I do have to give it some credit, though–it’s nowhere near as unpleasant as Step Brothers was, which is a minor achievement in itself. It’s got some solid humor in there, if it’s a little focused on sex, though that only makes sense given the nature of the whole affair.
It’s still pretty awkward, and deeply unpleasant in spots, but then again, such is the nature of an eighteen year old boy desperate to lose his virginity.
The Screenhead Ten Scale gives The Virginity Hit a healthy six out of ten for being a profound combination of weird, awkward and funny, definitely more so than I would have expected out of anything that had “Step Brothers” attached to it. Sony’s got a pretty decent property here.











Despite a tough start to his career in which the comedic writer/director saw several TV shows get critical acclaim but got cancelled swiftly, Judd Apatow has pretty much changed the shape of contemporary comedy. While hardly amazing, the films he has overseen as director or producer have garnered plenty of fans and often plenty of cash at the box-office. So it’s strange to see him reprise characters from a previous success.